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First Mazurka
Sheetmusic to print
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Mazurka Op.7 No.1
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.710692 Composed by Frederic Chopin.…
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Piano Solo - Level 4 - Digital Download SKU: A0.710692 Composed by Frederic Chopin. Arranged by Thomas Jancso. Romantic Period. Score. 3 pages. Thomas Jancso #5375025. Published by Thomas Jancso (A0.710692). Opus 7 is a set of five mazurkas by Frédéric Chopin. The mazurkas were written in 1830 – 1832. The first mazurka is in B♭ major. The tempo is marked Vivace and is perhaps the most well-known mazurka of the set.
$3.99
3.72 €
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Piano solo
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Frederic Chopin
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Mazurka Op.7 No.1
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Thomas Jancso
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SheetMusicPlus
The Complete Chopin Mazurkas
Guitar
Guitar (classical and lute) - Intermediate - Digital Download Fifty-one Mazurkas Newl…
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Guitar (classical and lute) - Intermediate - Digital Download Fifty-one Mazurkas Newly Arranged for Solo Guitar. Composed by Stephen Aron. Solos. Style. E-book and online audio. 256 pages. Mel Bay Publications - Digital Sheet Music #98411MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742898.
This collection presents, for the first time, the complete Mazurkas of Frederic Chopin arranged for solo classical guitar. The Mazurka is the only form the composer embraced throughout his lifetime. The distinctive and personal pieces are unimaginably varied and colorful, ranging from brief and vigorous dances to deep and complex extended works. Always achingly melodic and featuring surprising harmonies not evident in his other compositions, the Mazurkas are a true monument to Chopin's genius. These new arrangements were prepared with rigorous fidelity to the originals, while never sacrificing true playability. Careful attention to every detail of execution combined with thorough notes on each piece and the folk dance tradition that inspired them to make this unique offering truly user-friendly. Musically beautiful, idiomatic and accessible, this monumental collection is a breathtaking addition to the guitar repertoire. Written in standard notation only. Includes access to online audio.
$27.99
26.12 €
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Guitar
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Stephen Aron
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The Complete Chopin Mazurkas
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Mazurka
Violin and Piano
Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q53340 Op…
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Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q53340 Op. 17/1. Composed by Frederic Chopin. Edited by Wolfgang Birtel. Arranged by Friedrich Hermann. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Volume op. 17/1. 7 pages. Schott Music - Digital #Q53340. Published by Schott Music - Digital (S9.Q53340). English • German.Frédéric Chopin wrote music almost exclusively for ‘his own’ instrument, the piano. This Polish composer, who later took on French nationality, devoted particular attention to smaller forms such as the Ballade, Waltz, Impromptu, Berceuse and created an enduring musical tribute to the dances of his native Poland, including the Polonaise, Mazurka and Krakowiak. With few chamber works by Chopin written for string instruments, it is hardly surprising that arrangers such as Friedrich Hermann chose to make his music available for violin with piano accompaniment such as this setting of the Mazurka in Bb major, a stately dance with resolute opening and characteristic dotted notes on the first beat of the 3/4 bar. Plate no. 02427, published in about 1913.
$3.99
3.72 €
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Violin and Piano
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Frederic Chopin
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Mazurka
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Schott Music - Digital
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SheetMusicPlus
West Point New Polka, Redowa, and Polka Mazurka
Piano solo
Piano - Digital Download SKU: LV.10059 Composed by Mr. F. Raggio. Portraits. Lester…
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Piano - Digital Download SKU: LV.10059 Composed by Mr. F. Raggio. Portraits. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10059). Fashionable Dances Taught by Saracco, Professor, Inventor and the first Introducer of all the new and modern dances in the United States. West Point New Polka, Redowa, and Polka Mazurka. Composed by Mr. F. Raggio. Published 1847 by William Hall & Son, 239 Broadway, cor. of Park Place in New York. Composition of three sectional dances with piano instrumentation. Subject headings for this piece include Portraits. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.59 €
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Piano solo
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Mr
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West Point New Polka, Redowa, and Polka Mazurka
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Mazurka
2fl /2picc. Pft. - Advanced - Digital Download SKU: F2.FM386 Composed by Eugene Mag…
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2fl /2picc. Pft. - Advanced - Digital Download SKU: F2.FM386 Composed by Eugene Magalif. Two flutes or piccolos and Piano. Score and Parts. 26 pages. Forton Music - Digital #FM386. Published by Forton Music - Digital (F2.FM386). ISBN 9790570482856.A lively Mazurka in compound triple time. Bubbling triplets and jaunty leaps lead to a middle section in the relative minor. Energetic scales then lead back to a re-statement of the first theme. A couple of top C's push this piece into the advanced range, but the rhythms and phrases are straightforward.
$9.95
9.29 €
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Eugene Magalif
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Mazurka
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Forton Music - Digital
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SheetMusicPlus
Mazurka
Fl/picc.pft - Advanced - Digital Download SKU: F2.FM384 Composed by Eugene Magalif.…
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Fl/picc.pft - Advanced - Digital Download SKU: F2.FM384 Composed by Eugene Magalif. Flute or Piccolo and Piano. Score and Parts. 16 pages. Forton Music - Digital #FM384. Published by Forton Music - Digital (F2.FM384). ISBN 9790570482832.A lively Mazurka in compound triple time. Bubbling triplets and jaunty leaps lead to a middle section in the relative minor. Energetic scales then lead back to a re-statement of the first theme. A couple of top C's push this piece into the advanced range, but the rhythms and phrases are straightforward.
$9.95
9.29 €
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Eugene Magalif
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Mazurka
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Forton Music - Digital
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 4 Canton Uri – Mazurka
2 Flutes, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179563 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179563 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Contest,Country,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #779544. Published by Helene Schulthess (A0.1179563). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.6 €
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2 Flutes, Piano
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Helene Schulthess
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Swiss Folk Dance for two flutes and piano – 4 Canton Uri – Mazurka
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 12 Canton Basel-Landschaft – Mazurka
2 Flutes, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182138 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182138 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #781903. Published by Helene Schulthess (A0.1182138). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.6 €
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2 Flutes, Piano
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Helene Schulthess
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Swiss Folk Dance for two flutes and piano – 12 Canton Basel-Landschaft – Mazurka
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Helene Schulthess
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SheetMusicPlus
The Godfather Mazurka
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.557104…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.557104 Composed by Carmen Coppola. Arranged by Sjoerd van der Veen. Classical,Film/TV,Wedding. 8 pages. Sjoerd van der Veen #166556. Published by Sjoerd van der Veen (A0.557104). 50 years The Godfather! This beautiful Mazurka (Connie's wedding) is from the first movie. Can be played at multiple occasions or events, from concert to background music . Arranged for 4 Bb clarinets (also available for 3 Bb clarinets & bass clarinet). Voices are devided over all clarinets. If you have any questions or requests, please email info@ensemblesheetmusic.com.
$14.99
13.99 €
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Clarinet Quartet: 4 clarinets
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Carmen Coppola
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The Godfather Mazurka
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Sjoerd van der Veen
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SheetMusicPlus
First Mazurka
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.649263 Composed by Borodin, Aklexa…
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Cello,Piano - Level 3 - Digital Download SKU: A0.649263 Composed by Borodin, Aklexander. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 12 pages. Theupperstaff #5990839. Published by theupperstaff (A0.649263).
$4.99
4.66 €
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Cello, Piano
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Borodin, Aklexander
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First Mazurka
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theupperstaff
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SheetMusicPlus
First Mazurka
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.649262 Composed by Alexander Borod…
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Piano,Viola - Level 3 - Digital Download SKU: A0.649262 Composed by Alexander Borodin. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 12 pages. Theupperstaff #5990483. Published by theupperstaff (A0.649262).
$4.99
4.66 €
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Viola, Piano
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Alexander Borodin
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First Mazurka
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theupperstaff
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SheetMusicPlus
First Mazurka
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.649265 Composed by Alexander Borod…
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Flute,Piano - Level 3 - Digital Download SKU: A0.649265 Composed by Alexander Borodin. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 12 pages. Theupperstaff #5990845. Published by theupperstaff (A0.649265).
$4.99
4.66 €
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Flute and Piano
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Alexander Borodin
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First Mazurka
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theupperstaff
#
SheetMusicPlus
First Mazurka
Clarinet and Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.649267 Composed by Borodin, Ale…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.649267 Composed by Borodin, Alezander. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 12 pages. Theupperstaff #5990861. Published by theupperstaff (A0.649267).
$4.99
4.66 €
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Clarinet and Piano
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Borodin, Alezander
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First Mazurka
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theupperstaff
#
SheetMusicPlus
First Mazurka
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.649268 Composed by Alexan…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.649268 Composed by Alexander Borodin. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 13 pages. Theupperstaff #5990865. Published by theupperstaff (A0.649268).
$4.99
4.66 €
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Alto Saxophone and Piano
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Alexander Borodin
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First Mazurka
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theupperstaff
#
SheetMusicPlus
First Mazurka
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.649266 Composed by Alexander Borodi…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.649266 Composed by Alexander Borodin. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 15 pages. Theupperstaff #5990849. Published by theupperstaff (A0.649266).
$4.99
4.66 €
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Oboe, Piano (duet)
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Alexander Borodin
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First Mazurka
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theupperstaff
#
SheetMusicPlus
First Mazurka
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.649261 Composed by Alexander Boro…
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Piano,Violin - Level 3 - Digital Download SKU: A0.649261 Composed by Alexander Borodin. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. 12 pages. Theupperstaff #5990481. Published by theupperstaff (A0.649261).
$4.99
4.66 €
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Violin and Piano
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Alexander Borodin
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First Mazurka
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theupperstaff
#
SheetMusicPlus
First Mazurka
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.649259 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.649259 Composed by Alexander Borodin. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and parts. 21 pages. Theupperstaff #5990259. Published by theupperstaff (A0.649259).
$10.99
10.26 €
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String Quartet: 2 violins, viola, cello
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Alexander Borodin
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First Mazurka
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theupperstaff
#
SheetMusicPlus
First Mazurka
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.649260 Composed by Alexander …
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String Orchestra - Level 3 - Digital Download SKU: A0.649260 Composed by Alexander Borodin. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and parts. 26 pages. Theupperstaff #5990285. Published by theupperstaff (A0.649260).
$11.99
11.19 €
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String Orchestra
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Alexander Borodin
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First Mazurka
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theupperstaff
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SheetMusicPlus
Waltzes and Mazurkas
Piano solo
Piano - intermediate - Digital Download SKU: S9.Q41217 Composed by Antonin Dvorak. …
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Piano - intermediate - Digital Download SKU: S9.Q41217 Composed by Antonin Dvorak. This edition: Sheet music. Piano - mazurkas - waltzes. Downloadable. Op. 54 und 56. Schott Music - Digital #Q41217. Published by Schott Music - Digital (S9.Q41217). Dvorák’s Waltzes and Mazurkas prove to be a successfully contrived balancing act between stylised composition and musical immediacy. The music critic Louis Ehlert once wrote of Dvorák’s Slavonic Dances that they made a real musician’s heart laugh within him; the comment might equally well be applied to these pieces. These “Waltzes and Mazurkas” rank alongside the works of Chopin in terms of artistic merit, yet they are not widely known and have not hitherto been heard as often in concert halls as they deserve. The Urtext version of these dances is published for the first time in this edition.
$15.99
14.92 €
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Piano solo
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Antonin Dvorak
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Waltzes and Mazurkas
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Schott Music - Digital
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SheetMusicPlus
Celtic Harmonica Encyclopedia Volume 1
Harmonica
Harmonica - Intermediate - Digital Download SKU: M0.31181MEB Airs, Waltzes and M…
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Harmonica - Intermediate - Digital Download SKU: M0.31181MEB Airs, Waltzes and Mazurkas. Folk. World. Ebook and online audio. 65 pages. Mel Bay Publications - Digital Sheet Music #31181MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31181MEB). ISBN 9781513477237. 8.75x11.75 inches.This is the first volume of a four-part collection of over 200 Irish and Scottish dance tunes and airs arranged for standard Richter and Paddy Richter tuned 10-hole diatonic harmonicas. Volume One contains 37 famous Celtic airs, laments, mazurkas, and waltzes including Danny Boy, The Last Rose of Summer, The Minstrel Boy, Macpherson?s Farewell, Annie Laurie, and many others. The book includes standard notation in the original keys, harmonica tab, guitar chords, and downloadable audio files of the tunes. There is also an instructional section explaining all the techniques you?ll need to know to play traditional music on harmonica.
Song List
: Annie Laurie Archibald MacDonald of Keppoch The Arran Boat Song The Ash Grove Believe Me If All Those Endearing Young Charms Boolavogue Cait Ni Dhuibhir Childgrove Danny Boy Down By The Salley Gardens Farewell The Foggy Dew (st and nd settings) For Ireland I'd Not Tell Her Name Gentle Annie Highland Mary Jock O' Hazeldean The Lark In The Clear Air The Last Rose Of Summer Logan Water MacPherson's Farewell Mary, Young and Fair The Minstrel Boy My Love Is Like A Red, Red Rose Neil Gow's Lament for the Death of his Second Wife The Parting Glass Princess Augusta The Pretty Girl Milking Her Cow Rosin The Beau The Shepherd's Wife Sir John Fenwick's The Flower Among Them All The Skye Boat Song The South Wind Two Irish Mazurkas (Sonny's Mazurka and Tommy Peoples' Mazurka) The Wild Geese The Wren
$17.99
16.79 €
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Harmonica
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Celtic Harmonica Encyclopedia Volume 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Fantasie Variations on Mazurek Dabrowskiego
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.755042 Composed by Sy Bra…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.755042 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 23 pages. Sy Brandon #3249479. Published by Sy Brandon (A0.755042). Fantasie Variation on Mazurek Dabrowskiego was commissioned in 2010 by David Wozniak. Wozniak suggested using the Polish National Anthem as the basis of a composition that can serve as a fiery opener to a concert. After a short introduction, the anthem is stated using a repetitive rhythmic motif in the piano. Variation one is a minor variant that has a chromatic obligato in the saxophone on the repeat. After a two measure interlude in 4/4 that breaks up the 3/4 meter of the mazurka, Variation two begins. This variation uses motives from the anthem to create a new saxophone melody. Variation three changes meter often and is more technical and angular. A repeat of the minor variant brings the first fast section to a close. After a transition to a slower tempo, a mysterious variation with sudden outbursts occurs. It uses a lot of feminine endings that are characteristic of some Polish music. The tempo slows once again before variation seven which is a lyrical and romantic treatment of motives from the anthem. The final fast section begins with a rhythmic 5/8 variation that changes to 6/8 for the second part of the anthem’s structure. An ornamental version of the anthem with the mazurka rhythm returns at the end before a rousing coda brings the work to a close. This composition is recorded by David Wozniak and Krista Wallace-Boaz on the Emeritus label American Fusion CD.
$9.99
9.32 €
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Alto Saxophone and Piano
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Sy Brandon
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Fantasie Variations on Mazurek Dabrowskiego
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Sy Brandon
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.62 €
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Flute and Piano
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
Trumpet, Piano
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexan…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.62 €
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Trumpet, Piano
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
English horn, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexande…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.62 €
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English horn, Piano
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.62 €
#
Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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jmsgu3
#
SheetMusicPlus
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